Kim Ho-woon advocates for responsible AI use in creative fields By Baek Byung-yeul Koreans have long been known for their low reading rates and while the COVID-19 pandemic sparked a global increase in reading due to more time spent alone, Korea’s numbers continue to decline. Government statistics back this downward trend. According to the national reading survey conducted every two years by the Ministry of Culture, Sports and Tourism, Korean adults read an average of 3.9 books from September 2022 to August 2023, a drop from the 4.5 books recorded in the previous survey conducted from September 2020 to August 2021.

We must understand the needs of our readers and cater to them,” he said. This statement reflects a growing concern within the Korean literary scene about the disconnect between writers and their audiences. The decline in reading rates is a multifaceted issue with various contributing factors.

Kim’s writing is characterized by its unique blend of realism and fantasy. He seamlessly integrates elements of both genres, creating a world that is both grounded in reality and infused with magical elements. This unique approach allows him to explore complex themes like identity, memory, and the human condition in a way that is both engaging and thought-provoking. Kim’s works often feature strong female characters who are complex and multifaceted.

Kim argues that literature should be more than just entertainment. He believes that it should be a tool for social change and a catalyst for personal growth. He believes that literature can be used to explore complex social issues, raise awareness about important topics, and inspire readers to think critically about the role they play in society.

“People would gather in libraries, bookstores, and cafes to read books. It was a social activity, a shared experience, and a way to escape from the daily grind.”

This statement reflects a shift in societal values and attitudes towards literature. It highlights the importance of literature as a social activity and a source of escape from the daily grind.

The goal is to transform 50 percent of the print readership to digital, which would reduce costs while increasing access. **Detailed Text:**

The transition to a digital-first model is a strategic imperative for many print publications. The goal of transforming 50 percent of the print readership to digital is not merely a cost-saving measure, but a fundamental shift in how content is consumed and delivered.

A. Bridging the Gap Between Writers and Readers
B.

Kim’s vision is to create a platform that connects writers and readers, fostering a vibrant community of literary enthusiasts. This platform would be a hub for sharing stories, exchanging ideas, and promoting literary works. The platform would be accessible to everyone, regardless of their background or location.

He added that there should be regulations ensuring that AI doesn’t infringe on human creativity or rights. “We should be able to see what kinds of literary works that AI has learned for machine learning. And we need to make sure that authors are properly paid from the AI platform developers for their work,” he said. Kim also pointed out that globalization of the Korean literary scene is not about winning international awards, such as the Nobel Prize in Literature or the International Booker Prize, but about nurturing a strong literary culture domestically. “It’s not about getting a prize, it’s about ensuring that literature is part of everyday life. When we have a strong literary culture at home, the rest will follow,” he said.