It was a class that explored the complexities of Black identity and the struggle for liberation. The poem “Rage” by Lester Fabian Brathwaite, published in 1970, is a powerful and evocative piece that captures the essence of Black rage. It is a call to action, a declaration of Black pride, and a testament to the resilience of the Black community.

No doubt Brathwaite is a great writer, but he’s also a great thinker. In a chapter largely focused on muscular dysmorphia, he makes a shockingly persuasive — if bracingly cavalier — argument for bodily autonomy that invokes trans rights, women’s rights, drug use and bodybuilding. “Rage” is conceptually heavy and multilayered, but with casual syntax and regular use of pop icons and common people, places and things as touchstones. At the same time, there’s a touch of high-brow, with several literary references and famous turns of phrases thoughtfully employed to bring new light to old ideas — and sometimes turn an idea on its head.

This statement is a powerful assertion about the power of empathy and its ability to bridge divides. It suggests that despite our differences in background, culture, and experiences, we all share a common humanity. Let’s delve deeper into this concept.

This is a key point to understand about the author’s style. Brathwaite’s writing is not about being palatable or universally appealing. It’s about pushing boundaries, challenging conventions, and provoking thought. He doesn’t shy away from difficult topics, and he doesn’t shy away from confronting uncomfortable truths. This is evident in his exploration of race, gender, and sexuality.

But it’s a necessary evil, a powerful tool for storytelling. The summary provided is a statement about the use of “Rage” in storytelling. It argues that while “Rage” can be excessive or overwhelming, it is still a valuable tool for narrative purposes.